Nov 02, 2012 Mix - Guitar Lesson: Seven Hot Bebop Licks YouTube 1 Dominant Bebop Scale Pattern Every Guitarist Needs to Know - Duration: 10:58. Jamie Holroyd Guitar 61,189 views. 20 Classic Bebop Licks For Guitar. Players such as Charlie Parker, Dizzy Gillespie, Clifford Brown, Bud Powell, and others brought fresh levels of excitement to their extended solos, ushering in a new era of jazz improvisation. While many guitarists fall in love with the bebop sound, learning how to play in the bebop style can seem intimidating. 6 Bebop Etudes for Guitar When learning to improvise in the bebop idiom guitarists usually encounter tricky fingerings, harmonically dense progressions and fast tempos. All of these require a fair amount of technique on the instrument compared to say using one mode to improvise over one chord for four bars at a medium tempo. Bebop is one of the most exciting jazz styles to play on the guitar. In this lesson, you will learn the basics of bebop: chromatic notes, the bebop scales, bebop motifs and a solo over Scrapple from the Apple in the style of Charlie Parker.
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These 7 free guitar lessons are from Sheryl Bailey’s Bebop Dojo Essentials, an accelerated, intuitive learning experience designed to impart essential Bebop skills, techniques, insight and improvisational methods. Sheryl will show you how to develop a strong eighth-note feel, and demonstrate how to create melodic ideas using common tones within the arpeggios to form Charlie-Christian-like solo templates. You’ll learn how to employ syncopation to make your lines come alive with that exciting rhythmic push of Bebop.
Jazz improvisation for guitar ( reh pro - Read the book Jazz Improvisation For Guitar (REH Pro Guitar: REH Pro Licks Book/CD Pack Bebop Licks for Guitar: A Dictionary of Melodic Ideas for Improvisation Guitar lesson. Bebop Piano Lick Lesson II – V(alt) – I Here’s a new II – V- I bebop lick instructional video I just shot. This particular lick is one of my favorites because it uses alot of the classic building blocks of bebop.
Bebop Dojo Essentials Lesson #11: Bebop Comping
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Now we can add a passing chord on beats 2 and 4. It creates a more dense texture, but it embellishes a very simple texture and gives it forward motion and swing.
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Bebop Dojo Essentials Lesson #20: Arpeggios (7ths)
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And last, but certainly not least, the 7ths. The 7th is the other most important chord tone, along with the 3rd, so spending time seeing and hearing this chord tone will really be the icing on the cake!
Bebop Dojo Essentials Lesson #23: Voice Leading
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Voice-leading means what it sounds like – connecting the voices of the chords in stepwise motion, or in the smoothest motion possible. This avoids awkward leaps and makes your lines smooth and flowing. You need to know your arpeggios in and out so that you can be seeing and hearing ahead into the upcoming chord change. Chords are moving objects!
Bebop Dojo Essentials Lesson #37: Bebop Lick #2
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Using syncopation and voice-leading, here is another typical bebop style II V I lick in major.
Bebop Dojo Essentials Lesson #45: Bebop Lick #3
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This line starts on the upbeat of beat one. It’s a little more sparse but is effective. I also land on an E natural on the Gmin7 for a strong Dorian sound!
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Bebop Dojo Essentials Lesson #51: 2-5-1 Major and Minor
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Let’s put them all together to have some fun on our chord template.
Bebop Dojo Essentials Lesson #54: Bonus Performance #2
Hot Licks Guitar Shop
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Another go around here with my band: Joe Strasser on drums and Gary Wang on bass.
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Dig these Bebop Dojo Essentials? Download Sheryl Bailey’s Bebop Dojo Essentials for much more including tab, notation, and jam tracks!
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820 different languages and dialects are spoken in Papua New Guinea. Travel there might require a suitcase full of phrasebooks just to book a hotel and order a meal. Fortunately, the language of jazz improvisation has far fewer dialects but you still have to pick one and learn its vocabulary, grammar and phonology -- aka licks, harmony and sonic qualities. Whatever style of jazz improvisation you aspire to master, bebop is an essential rite of passage and you’d be hard-pressed to find a better travel guide than Sheryl Bailey’s 50 Essential Bebop Guitar Licks You MUST Know.
Top recording artist, educator, composer and monster jazz guitarist Sheryl Bailey dug wide and deep into the bebop soundscape to select the lines and approaches that comprise this essential vocabulary of bebop phrases. You’ll learn lines inspired by bebop giants such as Charlie Parker, Joe Viola, Joe Pass, John Coltrane, Pat Martino, Sonny Stitt, Cannonball Adderley, Mike Stern, Dizzy Gillespie, Peter Bernstein and so many more.
“Learning licks from your favorite bebop players is key to understanding the deeper harmonic nuances of the music. Organize your vocabulary of licks by harmonic situations and then plug them into your solos. In time, you’ll uncover the harmonic and rhythmic shapes behind the licks and they’ll become a part of your own musical language. That’s when you’ll really start improvising.”
As you work through these 50 essential lines, you’ll learn to apply the legendary “I’ve Got A Banana” lick, minor 7th line cliche, chromatic below/diatonic above approach, bebop scales, use of repetition, chord substitutions, chromaticism, displaced rhythms, the ‘micro-cosmic’ bebop line, arpeggios, tensions, tritone sub V7, symmetrical diminished, whole tone scale, augmented triads, 3-note melodic embellishments and many more bebop applications. All of the licks are presented over a rhythm track and then broken down note-by-note, technique-by-technique with a thorough explanation of the underlying harmony. Everything is tabbed and notated, plus you get all of the rhythm tracks to practice with by yourself.
We can’t help you with phrasebooks for Papa New Guinea but if jazz improvisation is your destination, then your ticket is but a click away.
Top recording artist, educator, composer and monster jazz guitarist Sheryl Bailey dug wide and deep into the bebop soundscape to select the lines and approaches that comprise this essential vocabulary of bebop phrases. You’ll learn lines inspired by bebop giants such as Charlie Parker, Joe Viola, Joe Pass, John Coltrane, Pat Martino, Sonny Stitt, Cannonball Adderley, Mike Stern, Dizzy Gillespie, Peter Bernstein and so many more.
“Learning licks from your favorite bebop players is key to understanding the deeper harmonic nuances of the music. Organize your vocabulary of licks by harmonic situations and then plug them into your solos. In time, you’ll uncover the harmonic and rhythmic shapes behind the licks and they’ll become a part of your own musical language. That’s when you’ll really start improvising.”
As you work through these 50 essential lines, you’ll learn to apply the legendary “I’ve Got A Banana” lick, minor 7th line cliche, chromatic below/diatonic above approach, bebop scales, use of repetition, chord substitutions, chromaticism, displaced rhythms, the ‘micro-cosmic’ bebop line, arpeggios, tensions, tritone sub V7, symmetrical diminished, whole tone scale, augmented triads, 3-note melodic embellishments and many more bebop applications. All of the licks are presented over a rhythm track and then broken down note-by-note, technique-by-technique with a thorough explanation of the underlying harmony. Everything is tabbed and notated, plus you get all of the rhythm tracks to practice with by yourself.
We can’t help you with phrasebooks for Papa New Guinea but if jazz improvisation is your destination, then your ticket is but a click away.